Partager l'article ! Man, Myth, and Sensual Pleasures: Jan Gossart's Renaissance: Current Exhibitions ...
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| Jan Gossart (Netherlandish, ca. 1478–1532). Portrait of a Man (Jan Jacobsz. Snoeck?), ca. 1530. National Gallery of Art, Washington, D.C. (1967.4.1). |
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Man, Myth, and Sensual Pleasures: Jan Gossart's Renaissance
October 6, 2010–January 17, 2011
Special Exhibition Galleries, 2nd floor
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The first major exhibition in forty-five years devoted to the Burgundian Netherlandish artist Jan Gossart (ca. 1478-1532) brings together Gossart's paintings, drawings, and prints and places them in the context of the art and artists that influenced his transformation from Late Gothic Mannerism to the new Renaissance mode. Gossart was among the first northern artists to travel to Rome to make copies after antique sculpture and introduce historical and mythological subjects with erotic nude figures into the mainstream of northern painting. Most often credited with successfully assimilating Italian Renaissance style into northern European art of the early sixteenth century, he is the pivotal Old Master who changed the course of Flemish art from the Medieval craft tradition of its founder, Jan van Eyck (ca. 1380/90–1441), and charted new territory that eventually led to the great age of Peter Paul Rubens (1577–1640).
http://www.metmuseum.org/special/se_event.asp?OccurrenceId={E166EBFA-C573-4E54-80E8-42B4CCF0E616}&HomePageLink=special_c1a
The exhibition is made possible by the William Randolph Hearst Foundation, the Gail and Parker Gilbert Fund, Flanders House New York, and the Society of Friends of Belgium in America.
Additional support is provided by The Horace W. Goldsmith Foundation, Hester Diamond, David Kowitz, the Samuel H. Kress Foundation, and Joyce P. and Diego R. Visceglia.
The exhibition was organized by The Metropolitan Museum of Art, New York, in association with The National Gallery, London.
It is supported by an indemnity from the Federal Council on the Arts and the Humanities.
The catalogue is made possible by the Mary C. and James W. Fosburgh Publications Fund and the Roswell L. Gilpatric Publications Fund.
Additional support is provided by the Doris Duke Fund for Publications.
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